Recent conversations with potential clients for personal memoirs
have made me think a lot about who tells stories and what kinds of stories they
tell.
Of course, this isn’t really anything new for me. Since first
becoming interested several years ago in helping people to write their memoirs,
I’ve devoted plenty of thought to questions about personal story-telling. But
as we consider more and more potential projects, the questions become increasingly
interesting.
For example, because much of our potential clientele comes from
the senior demographic, where memory loss is sometimes an issue,we’ve been
asked how we can write about someone’s life when his or her memory seems so
spotty. That’s an easy one for us to answer: we can bring in family members and
close personal friends of the subject to help jog his or her memory, retelling
stories that the memoir subject has told many times in the past.
Sometimes
these stories help the memoir subject to remember related stories. Sometimes
one family member will remember one anecdote and another family member will
remember a related one, and soon we have a whole stream of stories flowing.
But just as often, family members who think their elderly
relative will have trouble with a memoir project because of perceived memory
loss is pleasantly surprised to find out that the subject can remember stories
from the past just fine. This makes sense, actually: memory loss in seniors
often relates more to short-term memory than long-term. As the typical joke
goes, people who can’t remember where they left their car keys can still
remember the name of their second grade teacher from 80 years ago. But this
works to the advantage of us memoir writers. We don’t need to know where your
car keys are; we need you to remember what matters to you from the past.
Questions also arise about what people may not choose to tell. Our
answer is that we help people write memoirs, not autobiographies. They are free
to include or leave out whatever they wish. Accuracy is certainly helpful, but comprehensiveness isn’t
necessary. We encourage memoir subjects to tell the stories they choose to pass
on and leave out the ones they would rather not have figure into an overall
reflection on their lives.
What becomes more apparent to us every day is that not only does
everyone have a story to tell – after all, that’s the basis of our
memoir-writing business – but everyone also has someone who wants to hear their
story. It may be a large and diverse audience; it may be just one person. It
may be several decades of students or devotees of someone’s professional
persona; it may be one spouse or one child. But we have yet to find anyone who
can’t find a single ready ear eager to hear the story they can pass on, or a
single ready pair of eyes to read the text, increasingly engrossed in the story
of a person they thought they knew but about whom they may still have so much
more to learn.