Showing posts with label cookbook. Show all posts
Showing posts with label cookbook. Show all posts

Thursday, December 11, 2014

Project "Family Cookbook"



“Just for fun, my mother and I are writing a cookbook,” I told a friend back in October.

“Busman’s holiday?” she asked.

Yes, it’s true: my job is to write and my hobby is to write. And for the past four months or so, when I haven’t been working on deadline to finish drafting an article, a brochure, or a piece of marketing copy, I’ve been putting together a compilation of family recipes.

And yes, it’s a little geeky, but it’s fun. Like many families, we have long wanted to pull together all our favorite old recipes, and as I worked on my project, many friends and acquaintances told me of how their mothers or grandmothers or even they themselves had made up binders of photocopied pages, one set to be given to each family member, or even had them bound at a copy store.

But print-on-demand publishing opens new possibilities for families who want to generate recipe collections. True, it will look more professional – if perhaps not as artistically creative – than a looseleaf binder or leatherbound scrapbook compilation of recipes, but more importantly, we’ll have an unlimited supply. Because we are doing this with a print-on-demand publisher, our book will exist in the cloud, available to anyone at any time, for as long as there’s an Amazon. And speaking as a reader of the Business section, it looks to me like Amazon will probably survive both nuclear holocaust and Armageddon.

It’s important to us, because my mother is the author of two previous cookbooks that are both out of print, simply because a number was determined for the print run and every last book sold out. Each family member has a copy, but there aren’t any more copies for new friends or acquaintances or even future generations.

It’s not that I think this particular cookbook that my mother and I wrote together is so important. It’s no “Mastering the Art of French Cooking” or “Moosewood” or “Silver Palate,” to name a few that I really do think changed the way people cooked. It’s just….well, us. It’s our family’s favorite recipes. It’s the ones we all trade around and copy for each other and pass back and forth time and again.

And it’s the ones my children and nieces and nephew asked us to include. Even those as young as nine or ten knew that it was important to them that we preserve certain formulas, like the way Grandma makes hot chocolate, or the way Grandma makes guacamole, or the way Grandma makes Portuguese sweet bread. (Come to think of it, all the ones my kids were most concerned with getting down in writing were their grandmother’s recipes, not mine. I’ll try not to take offense. I suppose it gives me something to which to aspire.)

As my mother wrote in her introduction to the book, “As I work on this third collection, I find myself thinking not about my cooking class students or anonymous cookbook buyers, as I did [with the first two books], but my six grandchildren. These are their favorites as well, dishes they've savored at countless family dinners and holiday gatherings over the years, and I imagine that someday they'll want these same recipes at their fingertips to make for their own children and grandchildren.”

Maybe. Maybe not. It’s always a mistake to project too many expectations, particularly misty-eye or rose-hued ones, on future generations. But if they do want to cook the familiar dishes of their childhoods, they’ll know just where to find the recipes.

Tuesday, October 21, 2014

Taking the perfect photo isn't so easy at all


I notice it every autumn, but it still takes me by surprise each year: how for a span of several weeks, starting in late September and lasting through mid-November, you simply cannot turn your head in any direction in Carlisle and not see a landscape worthy of a calendar photo. In one direction, it’s Norwegian maples turning a flaming yellow, outlined against a blue sky; in another direction it’s pumpkins and hearty mums on a doorstep, or black and white cows grazing in the midst of a still-green field, or footpaths speckled with multicolored fallen leaves.

“You cannot take a bad picture around here in autumn,” I remarked one day last week.

And then I tried taking some pictures and discovered how blithely wrong I’d been.

It’s actually really difficult to capture beautiful scenes with a beautiful photo. To any of my photographer friends, this sentiment doubtlessly sounds as obvious and trite as it would if a non-writer were to say to me, “To my surprise, it’s not that easy to write a really good poem.”

Right. Because if it were easy, as they say, everyone would do it, whether “it” is taking photos or crafting poetry.

This was a problem because I really wanted to take some great photos around my parents’ farm to use in a cover design for a cookbook my mother and I are working on together. It was a stroke of inspiration, I thought, when I came up with the idea of using a farm photo montage for the cover, and the perfect time of year for it, too: all I’d need to do was walk around the farm for twenty or thirty minutes snapping pictures, and in no time at all, I’d have my magnificent autumn montage.

But taking perfect pictures is hard. Sure, I can look through the lens – or on the camera’s screen – and see what looks to me like a beautiful view, but once I actually snap it, I see that the shadows are dense, or the sky looks gray rather than blue, or the foreground is more of a distraction than it seemed to be when I framed the same shot in my mind’s eye.

I should know this, because it’s true for writers as well. Just as you can look at a tableau of cows grazing and think you’ve got the perfect shot until you take the picture and see the mud and the dark shadows and the car in the distant background, you can come up with the perfect essay concept, and then find when you try to write it that your perfect concept is not quite as easy to articulate as you thought. Other words get in the way, and the idea that seemed brilliant when it was still in your mind starts to dissipate when you try to commit it to paper.

By now I’ve taken dozens of photos for the cookbook cover, hoping eventually I can winnow them down to nine to make a three-by-three square photo montage. The photos won’t be perfect, just as my words are never perfect. I’ll have to be content with knowing how many I deleted to find these few that might be almost worthy of what I pictured in my mind’s eye.